If anyone can truly be said to have captured the spirit of Georges Méliès, it is Czech filmmaker Karel Zeman. It is one thing to use the methods pioneered by Méliès, which in a sense makes all subsequent filmmakers his children. When Méliès purchased his first camera, the art was so new that in developing his screen fantasies, he created many of the techniques that would become standard practice in the medium for a century. It is quite another to be heir to the spirit of wide-eyed wonder and fantasy that infuses Méliès' films themselves.
Most filmmakers don't even make the attempt, which is their right, since not all creative visions need be the same. A few try, but none have come so close as Karel Zeman. Heralded as one of the fathers of Czech animation, his films are celluloid adventures in wonder and whimsy carefully crafted from nearly every form of special effect known before the invention of computers. He is what a modern Méliès might have grew into, his films a Jules Verne illustration come to life.