In one short but majestic minute, French special effect pioneer Ferdinand Zecca introduced the world to the first ever film to depict aviation.
Born in Paris in 1864, Zecca's career in theatre segued into film, first through Gaumont and then to Pathé. As a favour to Charles Pathé, Zecca set-up the company's exhibit at the 1900 Exposition Universelle and soon became indispensable as Pathé's right hand man. When the company looked to evolve beyond "actualities", short shots of everyday events, Zecca was given free reign to experiment with Scientific Romances, fairy tales, and religious films. His own realization of La Belle au bois dormant was released in 1902, Les Aventures de Don Quichotte in 1903, and La Passion de Notre-Seigneur Jésus Christ (La Vie et la Passion de Jésus Christ) in 1905, among many, many other films.
À la conquête de l'air is one of his earlier films, released in 1901. Though only a minute in length, it is an extremely complicated subject. The short depicts Zecca himself piloting a kind of aerial bicycle over the neighbourhood of Belleville, Paris. His method for achieving the effect - which allows the towers of the city to be seen through the spokes of his bicycle - isn't entirely obvious and demonstrates an accomplished understanding of trick photography. His aerial bicycle is the very image of Scientific Romance, taking him on a flight of fancy two years before the Wright Brothers' accomplishment at Kittyhawk.